Unplugged | Nein |
Coverband | Nein |
Mitglieder | 1 |
May / 2014 | • | Kultuurkaffee | Brussel | |||
May / 2014 | • | Le Cercle | Ferrières | |||
Apr / 2014 | • | Les Aralunaires | Arlon | |||
Apr / 2014 | • | Instant Karma | Ostend | |||
Mar / 2014 | • | Handelsbeurs | Ghent | |||
Mar / 2014 | • | Mad Café | Liège | |||
Mar / 2014 | • | Ancienne Belgique | Brussels | |||
Mar / 2014 | • | PIAS Nites @ Tour & Taxis | Brussels | |||
Feb / 2014 | • | We Are Open @ Trix | Antwerp | |||
Feb / 2014 | • | Madame Moustache | Madame Moustache Club, Brussels, BE | |||
Feb / 2014 | • | Comma | Bruges | |||
Feb / 2014 | • | Den Trap | Kortrijk | |||
Dec / 2013 | • | Kinky Star | Kinky Star, Ghent, BE | |||
Nov / 2013 | • | Trix Muziekcentrum | Antwerp | |||
Nov / 2013 | • | Bascuulfeesten | Moorsele | |||
Oct / 2013 | • | Muziekodroom | Hasselt | |||
Oct / 2013 | • | Club Kamikaze | Mechelen | |||
Oct / 2013 | • | Bada Bing | Ostend | |||
Oct / 2013 | • | Rits Café | Brussels | |||
Oct / 2013 | • | Krawietel | Ghent | |||
Sep / 2013 | • | Leffingeleuren Festival | Leffinge | |||
Sep / 2013 | • | Ancienne Belgique | Brussels | |||
Aug / 2013 | • | Sugarbeat Festival | Tienen | |||
Aug / 2013 | • | Absolutely Free Festival | Genk | |||
Aug / 2013 | • | Vama Veche | Bruges | |||
Jul / 2013 | • | Meadownight | Brecht | |||
Jul / 2013 | • | Boomtown | Ghent | |||
Jul / 2013 | • | Dour Festival | Dour | |||
Jul / 2013 | • | Burgrock | Bruges | |||
Jul / 2013 | • | Kroenkel | Nijlen | |||
Jun / 2013 | • | Biejke | Borgloon | |||
May / 2013 | • | Muziekodroom | Hasselt | |||
May / 2013 | • | Carpe Diem | Hasselt | |||
May / 2013 | • | Café Video | Ghent | |||
Apr / 2013 | • | De Zwerver | Leffinge | |||
Apr / 2013 | • | Muziekodroom | Hasselt | |||
Apr / 2013 | • | Commarocks | Bruges |
Label / Release | Format | Jahr | |
---|---|---|---|
[PIAS] Recordings | |||
|
Clyde & Bonnie / Sharknado | Single | 2016 |
|
Light Stays Close | Album | 2015 |
|
The Spectors | EP | 2014 |
By the end of 2012 Marieke Hutsebaut, the band’s bass-player and songwriter, had recorded a handful of haunting bathroom demos which caught the ear of music publisher Strictly Confidential and veteran indie label [PIAS]. Not to mention hundreds of “early adopters” around the world. Touting her catchy, yet spirited and heartfelt material, she quickly assembled a talented live line-up.
Come 2013, The Spectors had joined forces with a publisher, a label and a booking agent, wowing audiences at established Belgian indie festivals such as Dour, Boomtown and Leffingeleuren. A support slot for My Bloody Valentine proved an early high point in the young band’s career.
A hook-up with Chris Urbanowicz, formerly of Editors, resulted in The Spectors’ first self-titled E.P., released at the beginning of 2014. Nico and Dig, the two singles taken off the E.P., remained in the indie charts (Studio Brussel’s De Afrekening) for a combined 18 weeks. Plenty of airplay, positive critical reaction and, to top it all off, a coveted spot on two best-selling compilation CD’s of the revered indie chart show. Not bad for a debut E.P.!
The ensuing Festival Summer, with appearances all over Belgium saw concert-goers singing along to “Losing touch, like Nico did…”, while their passage at Pukkelpop, arguably thé litmus test for upcoming bands, was hailed by Humo as the “perfect Sugababes/Breeders sandwich”. Deredactie.be, the website of Belgium’s national broadcaster, proved equally impressed, predicting “a spot in the Marquee, or even on the Main Stage in a few years’ time”.
The EP is now available physically and on various digital platforms.
http://thespectors.be/ep-out-now/